Kafka, Franz. Metamorphosis. (Audiobook, Unabridged). Hong Kong: Naxos Audiobooks, [1915] 2003. ISBN 978-962-634-286-2.

If you're haunted by that recurring nightmare about waking up as a giant insect, this is not the book to read. Me, I have other dreams (although, more recently, mostly about loading out from trade shows and Hackers' conferences that never end—where could those have come from?), so I decided to plunge right into this story. It's really a novella, not a novel—about a hundred pages in a mass-market paperback print edition, but one you won't soon forget. The genius of Kafka is his ability to relate extraordinary events in the most prosaic, deadpan terms. He's not just an omniscient narrator; he is an utterly dispassionate recorder of events, treating banal, bizarre, and impassioned scenes like a camcorder—just what happened. Perhaps Kafka's day job, filling out industrial accident reports for an insurance company, helped to instill the “view from above” so characteristic of his work.

This works extraordinarily well for this dark, dark story. I guess it's safe to say that the genre of people waking up as giant insects and the consequences of that happening was both created and mined out by Kafka in this tale. There are many lessons one can draw from the events described here, some of which do not reflect well upon our species, and others which show that sometimes, even in happy families, what appears to be the most disastrous adversity may actually, even in the face of tragedy, be ultimately liberating. I could write four or five prickly paragraphs about the lessons here for self-reliance, but that's not why you come here. Read the story and draw your own conclusions. I'm amazed that younger sister Grete never agonised over whether she'd inherited the same gene as Gregor. Wouldn't you? And when she stretches her young body in the last line, don't you wonder?

Kafka is notoriously difficult to translate. He uses the structure of the German language to assemble long sentences with a startling surprise in the last few words when you encounter the verb. This is difficult to render into English and other languages which use a subject-verb-object construction in most sentences. Kafka also exploits ambiguities in German which are not translatable to other languages. My German is not (remotely) adequate to read, no less appreciate, Kafka in the original, so translation will have to do for me. Still, even without the nuances in the original, this is a compelling narrative. The story is read by British actor Martin Jarvis, who adopts an ironic tone which is perfect for Kafka's understated prose. Musical transitions separate the chapters.

The audible.com audiobook edition is sold as a single download of 2 hours and 11 minutes, 31 megabytes at MP3 quality. An Audio CD edition is available. A variety of print editions are available, as well as this free online edition, which seems to be closer than the original German than that used in this audiobook although, perhaps inevitably, more clumsy in English.

September 2008 

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