The three novels, which form a continuous story arc and are best read in order, are set in the period after Lando has won the Millennium Falcon in a card game but before he encounters Han Solo and loses the ship to him the same way. Lando is the only character in the Star Wars canon who appears here; if the name of the protagonist and ship were changed, one would scarcely guess the setting was the Star Wars universe, although parts of the “back-story” are filled in here and there, such as how a self-described interstellar gambler and con artiste came to be an expert starship pilot, why the steerable quad-guns on the Falcon “recoil” when they fire like World War II ack-ack guns, and how Lando laid his hands on enough money to “buy an entire city” (p. 408).
Lando's companion in all the adventures is the droid Vuffi Raa, also won in a card game, who is a full-fledged character and far more intriguing than any of the droids in the Star Wars movies. Unlike the stilted and mechanical robots of the films, Vuffi Raa is a highly dextrous starfish-like creature, whose five fractal-branching tentacles can detach and work independently, and who has human-level intelligence, a mysterious past (uncovered as the story progresses), and ethical conflicts between his built-in pacifism and moral obligation to his friends when they are threatened. (The cover art is hideous; Vuffi Raa, an elegant and lithe creature in the story, is shown as something like a squared-off R2-D2 with steel dreadlocks.) Now that computer graphics permits bringing to film any character the mind can imagine, Vuffi Raa would make a marvelous addition to a movie: for once, a robot fully as capable as a human without being even remotely humanoid.
The first novel is more or less straightforward storytelling, while the second and third put somewhat more of a libertarian edge on things. StarCave of ThonBoka does an excellent job of demonstrating how a large organisation built on fear and coercion, regardless how formidably armed, is vulnerable to those who think and act for themselves. This is a theme which fits perfectly with the Star Wars movies which occur in this era, but cannot be more than hinted at within the constraints of a screenplay.