Books by Scalzi, John

Scalzi, John. The Ghost Brigades. New York: Tor, 2006. ISBN 0-7653-1502-5.

After his stunning fiction debut in Old Man's War (April 2005), readers hoping for the arrival on the scene of a new writer of Golden Age stature held their breath to see whether the author would be a one book wonder or be able to repeat. You can start breathing again—in this, his second novel, he hits another one out of the ballpark.

This story is set in the conflict-ridden Colonial Union universe of Old Man's War, some time after the events of that book. Although in the acknowledgements he refers to this as a sequel, you'd miss little or nothing by reading it first, as everything introduced in the first novel is explained as it appears here. Still, if you have the choice, it's best to read them in order. The Colonial Special Forces, which are a shadowy peripheral presence in Old Man's War, take centre stage here. Special Forces are biologically engineered and enhanced super-soldiers, bred from the DNA of volunteers who enlisted in the regular Colonial Defense Forces but died before they reached the age of 75 to begin their new life as warriors. Unlike regular CDF troops, who retain their memories and personalities after exchanging their aged frame for a youthful and super-human body, Special Forces start out as a tabula rasa with adult bodies and empty brains ready to be programmed by their “BrainPal” appliance, which also gives them telepathic powers.

The protagonist, Jared Dirac, is a very special member of the Special Forces, as he was bred from the DNA of a traitor to the Colonial Union, and imprinted with that person's consciousness in an attempt to figure out his motivations and plans. Things didn't go as expected, and Jared ends up with two people in his skull, leading to exploration of the meaning of human identity and how our memories (or those of others) make us who we are, along the lines of Robert Heinlein's I Will Fear No Evil. The latter was not one of Heinlein's better outings, but Scalzi takes the nugget of the idea and runs with it here, spinning a yarn that reads like Heinlein's better work. In the last fifty pages, the Colonial Union universe becomes a lot more ambiguous and interesting, and the ground is laid for a rich future history series set there. This book has less rock-em sock-em combat and more character development and ideas, which is just fine for this non-member of the video game generation.

Since almost anything more I said would constitute a spoiler, I'll leave it at that; I loved this book, and if you enjoy the best of Heinlein, you probably will as well. (One quibble, which I'll try to phrase to avoid being a spoiler: for the life of me, I can't figure out how Sagan expects to open the capture pod at the start of chapter 14 (p. 281), when on p. 240 she couldn't open it, and since then nothing has happened to change the situation.) For more background on the book and the author's plans for this universe, check out the Instapundit podcast interview with the author.

August 2006 

Scalzi, John. The Last Colony. New York: Tor, 2007. ISBN 0-7653-1697-8.

This novel concludes the Colonial Union trilogy begun with the breakthrough Old Man's War (April 2005), for which the author won the John W. Campbell Award for Best New Writer, and its sequel, The Ghost Brigades (August 2006), which fleshed out the shadowy Special Forces and set the stage for a looming three-way conflict among the Colonial Union, the Conclave of more than four hundred alien species, and the Earth. As this novel begins, John Perry and Jane Sagan, whom we met in the first two volumes, have completed their military obligations and, now back in normal human bodies, have married and settled into new careers on a peaceful human colony world. They are approached by a Colonial Defense Forces general with an intriguing proposition: to become administrators of a new colony, the first to be formed by settlers from other colony worlds instead of emigrants from Earth.

As we learnt in The Ghost Brigades, when it comes to deceit, disinformation, manipulation, and corruption, the Colonial Union is a worthy successor to its historical antecedents, the Soviet Union and the European Union, and the newly minted administrators quickly discover that all is not what it appears to be and before long find themselves in a fine pickle indeed. The story moves swiftly and plausibly toward a satisfying conclusion I would never have guessed even twenty pages from the end.

In the acknowledgements at the end, the author indicates that this book concludes the adventures of John Perry and Jane Sagan and, for the moment, the Colonial Union universe. He says he may revisit that universe someday, but at present has no plans to do so. So while we wait to see where he goes next, here's a neatly wrapped up and immensely entertaining trilogy to savour. By the way, both Old Man's War and The Ghost Brigades are now available in inexpensive mass-market paperback editions. Unlike The Ghost Brigades, which can stand on its own without the first novel, you'll really enjoy this book and understand the characters much more if you've read the first two volumes before.

October 2007 

Scalzi, John. Old Man's War. New York: Tor, 2005. ISBN 0-7653-0940-8.

I don't read a lot of contemporary science fiction, but the review by Glenn Reynolds and those of other bloggers he cited on Instapundit motivated me to do the almost unthinkable—buy a just-out science fiction first novel in hardback—and I'm glad I did. It's been a long time since I last devoured a three hundred page novel in less than 36 hours in three big gulps, but this is that kind of page-turner. It will inevitably be compared to Heinlein's Starship Troopers. Remarkably, it stands up well beside the work of the Master, and also explores the kinds of questions of human identity which run through much of Heinlein's later work. The story is in no way derivative, however; this is a thoroughly original work, and even more significant for being the author's first novel in print. Here's a writer to watch.

April 2005 

Scalzi, John. Redshirts. New York: Tor, 2012. ISBN 978-0-7653-3479-4.

Ensign Andrew Dahl thought himself extremely fortunate when, just out of the Academy, he was assigned to Universal Union flagship Intrepid in the xenobiology lab. Intrepid has a reputation for undertaking the most demanding missions of exploration, diplomacy, and, when necessary, enforcement of order among the multitude of planets in the Union, and it was the ideal place for an ambitious junior officer to begin his career.

But almost immediately after reporting aboard, Dahl began to discover there was something distinctly off about life aboard the ship. Whenever one of the senior officers walked through the corridors, crewmembers would part ahead of them, disappearing into side passages or through hatches. When the science officer visited a lab, experienced crew would vanish before he appeared and return only after he departed. Crew would invent clever stratagems to avoid being assigned to a post on the bridge or to an away mission.

Seemingly, every away mission would result in the death of a crew member, often in gruesome circumstances involving Longranian ice sharks, Borgovian land worms, the Merovian plague, or other horrors. But senior crew: the captain, science officer, doctor, and chief engineer were never killed, although astrogator Lieutenant Kerensky, a member of the bridge crew and regular on away parties, is frequently grievously injured but invariably makes a near-miraculous and complete recovery.

Dahl sees all of this for himself when he barely escapes with his life from a rescue mission to a space station afflicted with killer robots. Four junior crew die and Kerensky is injured once again. Upon returning to the ship, Dahl and his colleagues vow to get to the bottom of what is going on. They've heard the legends of, and one may have even spotted, Jenkins, who disappeared into the bowels of the ship after his wife, a fellow crew member, died meaninglessly by a stray shot of an assassin trying to kill a Union ambassador on an away mission.

Dahl undertakes to track down Jenkins, who is rumoured to have a theory which explains everything that is happening. The theory turns out to be as bizarre or more so than life on the Intrepid, but Dahl and his fellow ensigns concede that it does explain what they're experiencing and that applying it allows them to make sense of events which are otherwise incomprehensible (I love “the Box”).

But a theory, however explanatory, does not address the immediate problem: how to avoid being devoured by Pornathic crabs or the Great Badger of Tau Ceti on their next away mission. Dahl and his fellow junior crew must figure out how to turn the nonsensical reality they inhabit toward their own survival and do so without overtly engaging in, you know, mutiny, which could, like death, be career limiting. The story becomes so meta it will make you question the metaness of meta itself.

This is a pure romp, often laugh-out-loud funny, having a delightful time immersing itself in the lives of characters in one of our most beloved and enduring science fiction universes. We all know the bridge crew and department heads, but what's it really like below decks, and how does it feel to experience that sinking feeling when the first officer points to you and says “You're with me!” when forming an away team?

The novel has three codas written, respectively, in the first, second, and third person. The last, even in this very funny book, will moisten your eyes. Redshirts won the Hugo Award for Best Novel in 2013.

May 2015