2005

January 2005

Lamont, Peter. The Rise of the Indian Rope Trick. New York: Thunder's Mouth Press, 2004. ISBN 1-56025-661-3.

Charmed by a mysterious swami, the end of a rope rises up of its own accord high into the air. A small boy climbs the rope and, upon reaching the top, vanishes. The Indian rope trick: ancient enigma of the subcontinent or 1890 invention by a Chicago newspaper embroiled in a circulation war? Peter Lamont, magician and researcher at the University of Edinburgh, traces the origin and growth of this pervasive legend. Along the way we encounter a cast of characters including Marco Polo; a Chief of the U.S. Secret Service; Madame Blavatsky; Charles Dickens; Colonel Stodare, an Englishman who impersonated a Frenchman performing Indian magic; William H. Seward, Lincoln's Secretary of State; Professor Belzibub; General Earl Haig and his aptly named aide-de-camp, Sergeant Secrett; John Nevil Maskelyne, conjurer, debunker of spiritualism, and inventor of the pay toilet; and a host of others. The author's style is occasionally too clever for its own good, but this is a popular book about the Indian rope trick, not a quantum field theory text after all, so what the heck. I read the U.K. edition.

 

Orsenna, Erik. La grammaire est une chanson douce. Paris: Poche, 2001. ISBN 2-253-14910-1.

Ten year old Jeanne and her insufferable fourteen year old brother survive a shipwreck and find themselves on an enchanted island where words come alive and grammar escapes the rationalistic prison of Madame Jargonos and her Cartesian colleagues in the black helicopters (nice touch, that) to emerge as the intuitive music of thought and expression. As Jeanne recovers her ability to speak, we discover the joy of forging phrases from the raw material of living words with the tools of grammar. The result of Jeanne's day in the factory on page 129 is a pure delight. The author is a member of l'Académie française.

 

Crichton, Michael. State of Fear. New York: HarperCollins, 2004. ISBN 0-06-621413-0.

Ever since I read his 2003 Commonwealth Club speech, I've admired Michael Crichton's outspoken defence of rationality against the junk science, elitist politics, and immoral anti-human policies of present-day Big Environmentalism. In State of Fear, he enlists his talent as a techno-thriller writer in the cause, debunking the bogus fear-mongering of the political/legal/media/academic complex which is increasingly turning the United States into a nation of safety-obsessed sheeple, easily manipulated by the elite which constructs the fact-free virtual reality they inhabit. To the extent this book causes people to look behind the green curtain of environmentalism, it will no doubt do a world of good. Scientific integrity is something which matters a great deal to Crichton—when's the last time you read a thriller which included dozens of citations of peer-reviewed scientific papers, charts based on public domain climate data, a list of data sources for independent investigation, a twenty page annotated bibliography, and an explicit statement of the author's point of view on the issues discussed in the novel?

The story is a compelling page-turner, but like other recent Crichton efforts, requires somewhat more suspension of disbelief than I'm comfortable with. I don't disagree with the scientific message—I applaud it—but I found myself less than satisfied with how the thing worked as a thriller. As in Prey (January 2003), the characters often seemed to do things which simply weren't the way real people would actually behave. It is plausible that James Bond like secret agent John Kenner would entrust a raid on an eco-terrorist camp to a millionaire's administrative assistant and a lawyer who'd never fired a gun, or that he'd include these two, along with an actor who played a U.S. president on television, sent to spy for the bad guys, on an expedition to avert a horrific terrorist strike? These naïve, well-intentioned, but clueless characters provide convenient foils for Crichton's scientific arguments and come to deliciously appropriate ends, at least in one case, but all the time you can't help but thinking they're just story devices who don't really belong there. The villains' grand schemes also make this engineer's reality detector go bzzzt! In each case, they're trying to do something on an unprecedented scale, involving unconfirmed theories and huge uncertainties in real-world data, and counting on it working the very first time, with no prior prototyping or reduced-scale tests. In the real world, heroics wouldn't be necessary—you could just sit back and wait for something to go wrong, as it always does in such circumstances.

 

Schmitt, Christopher. CSS Cookbook. Sebastopol, CA: O'Reilly, 2004. ISBN 0-596-00576-8.

It's taken a while, but Cascading Style Sheets have finally begun to live up to their promise of separating content from presentation on the Web, allowing a consistent design, specified in a single place and easily modified, to be applied to large collections of documents, and permitting content to be rendered in different ways depending on the media and audience: one style for online reading, another for printed output, an austere presentation for handheld devices, large type for readers with impaired vision, and a text-only format tailored for screen reader programs used by the blind. This book provides an overview of CSS solutions for common Web design problems, with sample code and screen shots illustrating what can be accomplished. It doesn't purport to be a comprehensive reference—you'll want to have Eric Meyer's Cascading Style Sheets: The Definitive Guide at hand as you develop your own CSS solutions, but Schmitt's book is valuable in showing how common problems can be solved in ways which aren't obvious from reading the specification or a reference book. Particularly useful for the real-world Web designer are Schmitt's discussion of which CSS features work and don't work in various popular browsers and suggestions of work-arounds to maximise the cross-platform portability of pages.

Many of the examples in this book are more or less obvious, and embody techniques which folks who've rolled their own Movable Type style sheets will be familiar, but every chapter has one or more gems which caused this designer of minimalist Web pages to slap his forehead and exclaim, “I didn't know you could do that!” Chapter 9, which presents a collection of brutal hacks, many involving exploiting parsing bugs, for working around browser incompatibilities may induce nausea in those who cherish standards compliance or worry about the consequences of millions of pages on the Web containing ticking time bombs which will cause them to fall flat on their faces when various browser bugs are fixed. One glimpses here the business model of the Web site designer who gets paid when the customer is happy with how the site looks in Exploder and views remediation of incompatibilities down the road as a source of recurring revenue. Still, if you develop and maintain Web sites at the HTML level, there are many ideas here which can lead to more effective Web pages, and encourage you to dig deeper into the details of CSS.

 

Weinberg, Steven. Facing Up. Cambridge, MA: Harvard University Press, 2001. ISBN 0-674-01120-1.

This is a collection of non-technical essays written between 1985 and 2000 by Nobel Prize winning physicist Steven Weinberg. Many discuss the “science wars”—the assault by postmodern academics on the claim that modern science is discovering objective truth (well, duh), but many other topics are explored, including string theory, Zionism, Alan Sokal's hoax at the expense of the unwitting (and witless) editors of Social Text, Thomas Kuhn's views on scientific revolutions, science and religion, and the comparative analysis of utopias. Weinberg applies a few basic principles to most things he discusses—I counted six separate defences of reductionism in modern science, most couched in precisely the same terms. You may find this book more enjoyable a chapter at a time over an extended period rather than in one big cover-to-cover gulp.

 

Appleton, Victor. Tom Swift and His Motor-Cycle. Bedford, MA: Applewood Books, [1910] 1992. ISBN 1-55709-175-7.

Here's where it all began—the first episode of the original Tom Swift saga. Here we encounter Tom, his father Barton Swift, Mrs. Baggert, Ned Newton, Eradicate Sampson and his mule Boomerang, Wakefield “bless my hatband” Damon, Happy Harry, and the rest of the regulars for the first time. In this first outing, Appleton is still finding his voice: a good deal of the narration occurs as Tom's thinking or talking out loud, and there are way too many references to Tom as “our hero” for the cynical modern reader. But it's a rip-snorting, thoroughly enjoyable yarn, and the best point of departure to explore the world of Tom Swift and American boyhood in the golden years before the tragically misnamed Great War. I read the electronic edition of this novel published in the Tom Swift and His Pocket Library collection at this site on my PalmOS PDA. I've posted an updated electronic edition which corrects a few typographical and formatting errors I noted whilst reading the novel.

 

Allitt, Patrick. I'm the Teacher, You're the Student. Philadelphia: University of Pennsylvania Press, 2005. ISBN 0-8122-1887-6.

This delightfully written and enlightening book provides a look inside a present-day university classroom. The author, a professor of history at Emory University in Atlanta, presents a diary of a one semester course in U.S. history from 1877 to the present. Descriptions of summer programs at Oxford and experiences as a student of Spanish in Salamanca Spain (the description of the difficulty of learning a foreign language as an adult [pp. 65–69] is as good as any I've read) provide additional insight into the life of a professor. I wish I'd had a teacher explain the craft of expository writing as elegantly as Allitt in his “standard speech” (p. 82). The sorry state of undergraduate prose is sketched in stark detail, with amusing howlers like, “Many did not survive the harsh journey west, but still they trekked on.” Although an introductory class, students were a mix of all four undergraduate years; one doesn't get a sense the graduating seniors thought or wrote any more clearly than the freshmen. Along the way, Allitt provides a refresher course in the historical period covered by the class. You might enjoy answering the factual questions from the final examination on pp. 215–218 before and after reading the book and comparing your scores (answers are on p. 237—respect the honour code and don't peek!). The darker side of the educational scene is discussed candidly: plagiarism in the age of the Internet; clueless, lazy, and deceitful students; and the endless spiral of grade inflation. What grade would you give to students who, after a semester in an introductory undergraduate course, “have no aptitude for history, no appreciation for the connection between events, no sense of how a historical situation changes over time, [who] don't want to do the necessary hard work, … skimp on the reading, and can't write to save their lives” (p. 219)—certainly an F? Well, actually, no: “Most of them will get B− and a few really hard cases will come in with Cs”. And, refuting the notion that high mean grade point averages at elite schools simply reflect the quality of the student body and their work, about a quarter of Allitt's class are these intellectual bottom feeders he so vividly evokes.

 

Sinclair, Upton. Mental Radio. Charlottesville, VA: Hampton Roads, [1930, 1962] 2001. ISBN 1-57174-235-2.

Upton Sinclair, self-described (p. 8) “Socialist ‘muckraker’” is best known for his novels such as The Jungle (which put a generation off eating sausage), Oil!, and The Moneychangers, and his social activism. His 1934 run for Governor of California was supported by young firebrand Robert A. Heinlein, whose 1938-1939 “lost first novel” For Us, The Living (February 2004) was in large part a polemic for Sinclair's “Social Credit” platform.

Here, however, the focus is on the human mind, in particular the remarkable experiments in telepathy and clairvoyance performed in the late 1920s with his wife, Mary Craig Sinclair. The experiments consisted of attempts to mentally transmit or perceive the content of previously drawn images. Some experiments were done with the “sender” and “receiver” separated by more than 40 kilometres, while others involved Sinclair drawing images in a one room with the door closed, while his wife attempted to receive them in a different room. Many of the results are simply astonishing, so much so that given the informal conditions of the testing, many sceptics (especially present-day CSICOPs who argue that any form of cheating or sensory information transfer, whether deliberate or subconscious, which cannot be definitively excluded must be assumed to have occurred), will immediately discard them as flawed. But the Sinclair experiments took place just as formal research in parapsychology was getting underway—J.B. Rhine's Parapsychology Laboratory at Duke University was not founded until 1935—five years after the publication of Mental Radio, with the support of William McDougall, chairman of the Duke psychology department who, in 1930, himself performed experiments with Mary Craig Sinclair and wrote the introduction to the present volume.

This book is a reprint of the 1962 edition, which includes a retrospective foreword by Upton Sinclair, the analysis of the Sinclair experiments by Walter Franklin Prince published in the Bulletin of the Boston Society for Psychic Research in 1932, and a preface by Albert Einstein.

 

Smith, L. Neil. Ceres. Unpublished manuscript, January 2005.

I read this book in manuscript form; I'll add the ISBN when it is published. An online plot summary is available.

 

Landis, Tony R. and Dennis R. Jenkins. X-15 Photo Scrapbook. North Branch, MN: Specialty Press, 2003. ISBN 1-58007-074-4.

This companion to Hypersonic: The Story of the North American X-15 (March 2004) contains more than 400 photos, 50 in colour, which didn't make the cut for the main volume, as well as some which came to hand only after its publication. There's nothing really startling, but if you can't get enough of this beautiful flying machine, here's another hefty dose of well-captioned period photos, many never before published. The two page spread on pp. 58–59 is interesting. It's a North American Aviation presentation from 1962 on how the X-15 could be used for various advanced propulsion research programs, including ramjets, variable cycle turboramjets, scramjets, and liquid air cycle engines (LACE) burning LH₂ and air liquefied on board. More than forty years later, these remain “advanced propulsion” concepts, with scant progress to show for the intervening decades. None of the X-15 propulsion research programs were ever flown.

 

Smith, L. Neil and Scott Bieser. The Probability Broach: The Graphic Novel. Round Rock, TX: Big Head Press, 2004. ISBN 0-9743814-1-1.

What a tremendous idea! Here is L. Neil Smith's classic libertarian science fiction novel, Prometheus Award winning The Probability Broach, transformed into a comic book—er—graphic novel—with story by Smith and artwork by Scott Bieser. The artwork and use of colour are delightful—particularly how Win Bear's home world is rendered in drab collectivist grey and the North American Confederacy in vibrant hues. Lucy Kropotkin looks precisely as I'd imagined her. Be sure to look at all the detail and fine print in the large multi-panel spreads. After enjoying a couple of hours back in the Confederacy, why not order copies to give to all the kids in the family who've never thought about what it would be like to live in a world where free individuals entirely owned their own lives?