Books by Zach, Jen

Smith, L. Neil, Rex F. May, Scott Bieser, and Jen Zach. Roswell, Texas. Round Rock, TX: Big Head Press, [2007] 2008. ISBN 978-0-9743814-5-9.

I have previously mentioned this story and even posted a puzzle based upon it. This was based upon the online edition, which remains available for free. For me, reading anything, including a comic book (sorry—“graphic novel”), online a few pages a week doesn't count as reading worthy of inclusion in this list, so I deferred listing it until I had time to enjoy the trade paperback edition, which has been sitting on my shelf for several months after its June 2008 release.

This rollicking, occasionally zany, alternative universe story is set in the libertarian Federated States of Texas, where, as in our own timeline, something distinctly odd happens on July 4th, 1947 on a ranch outside the town of Roswell. As rumours spread around the world, teams from the Federated States, the United States, the California Republic, the Franco-Mexican Empire, Nazi Britain, and others set out to discover the truth and exploit the information for their own benefit. Involved in the scheming and race to the goal are this universe's incarnations of Malcolm Little, Meir Kahane, Marion Morrison, Eliot Ness, T. E. Lawrence, Walt Disney, Irène Joliot-Curie, Karol Wojtyla, Gene Roddenberry, and Audie Murphy, among many others. We also encounter a most curious character from an out of the way place L. Neil Smith fans will recall fondly.

The graphic format works very well with the artfully-constructed story. Be sure to scan each panel for little details—there are many, and easily missed if you focus only on the text. The only disappointment in this otherwise near-perfect entertainment is that readers of the online edition will be dismayed to discover that all of the beautiful colour applied by Jen Zach has been flattened out (albeit very well) into grey scale in the print edition. Due to the higher resolution of print, you can still make out things in the book edition which aren't discernible online, but it's a pity to lose the colour. The publisher has explained the economic reasons which compelled this decision, which make perfect sense. Should a “premium edition” come along, I'll be glad to part with US$40 for a full colour copy.

January 2009