Books by Nury, Fabien

Nury, Fabien and Thierry Robin. La Mort de Staline. Paris: Dargaud, [2010, 2012] 2014. ISBN 978-2-205-07351-5.

The 2017 film, The Death of Stalin, was based upon this French bande dessinée (BD, graphic novel, or comic). The story is based around the death of Stalin and the events that ensued: the scheming and struggle for power among the members of his inner circle, the reactions and relationships of his daughter Svetlana and wastrel son Vasily, the conflict between the Red Army and NKVD, the maneuvering over the arrangements for Stalin's funeral, and the all-encompassing fear and suspicion that Stalin's paranoia had infused into the Soviet society. This is a fictional account, grounded in documented historical events, in which the major characters were real people. But the authors are forthright in saying they invented events and dialogue to tell a story which is intended to give one a sense of the «folie furieuse de Staline et de son entourage» rather than provide a historical narrative.

The film adaptation is listed as a comedy and, particularly if you have a taste for black humour, is quite funny. This BD is not explicitly funny, except in an ironic sense, illustrating the pathological behaviour of those surrounding Stalin. Many of the sequences in this work could have been used as storyboards for the movie, but there are significant events here which did make it into the screenplay. The pervasive strong language which earned the film an R rating is little in evidence here.

The principal characters and their positions are introduced by boxes overlaying the graphics, much as was done in the movie. Readers who aren't familiar with the players in Stalin's Soviet Union such as Beria, Zhukov, Molotov, Malenkov, Khrushchev, Mikoyan, and Bulganin, may miss some of the nuances of their behaviour here, which is driven by this back-story. Their names are given using the French transliteration of Russian, which is somewhat different from that used in English (for example, “Krouchtchev” instead of “Khrushchev”). The artwork is intricately drawn in the realistic style, with only a few comic idioms sparsely used to illustrate things like gunshots.

I enjoyed both the movie (which I saw first, not knowing until the end credits that it was based upon this work) and the BD. They're different takes on the same story, and both work on their own terms. This is not the kind of story for which “spoilers” apply, so you'll lose nothing by enjoying both in either order.

The album cited above contains both volumes of the original print edition. The Kindle edition continues to be published in two volumes (Vol. 1, Vol. 2). An English translation of the graphic novel is available. I have not looked at it beyond the few preview pages available on Amazon.

June 2018