Suarez, Daniel. Freedom™. New York: Signet, 2010. ISBN 978-0-451-23189-5.
You'll see this book described as the sequel to the author's breakthrough first novel Daemon (August 2010), but in fact this is the second half of a long novel which happened to be published in two volumes. As such, if you pick up this book without having read Daemon, you will have absolutely no idea what is going on, who the characters are, and why they are motivated to do the things they do. There is little or no effort to fill in the back story or bring the reader up to speed. So read Daemon first, then this book, ideally not too long afterward so the story will remain fresh in your mind. Since that's the way the author treats these two books, I'm going to take the same liberty and assume you've read my review of Daemon to establish the context for these remarks.

The last two decades have demonstrated, again and again, just how disruptive ubiquitous computing and broadband data networks can be to long-established and deeply entrenched industries such as book publishing and distribution, music recording and retailing, newspapers, legacy broadcast media, domestic customer service call centres, travel agencies, and a host of other businesses which have seen their traditional business models supplanted by something faster, more efficient, and with global reach. In this book the author explores the question of whether the fundamental governance and economic system of the last century may be next domino to fall, rendered impotent and obsolete and swept away by a fundamentally new way of doing things, impossible to imagine in the pre-wired world, based on the principles used in massively multiplayer online game engines and social networks.

Of course, governments and multinational corporations are not going to go gently into the night, and the Daemon (a distributed mesh networked game engine connected to the real world) and its minions on the “darknet” demonstrate the ruthlessness of a machine intelligence when threatened, which results in any number of scenes just begging to be brought to the big screen. In essence, the Daemon is creating a new operating system for humans, allowing them to interact in ways less rigid, more decentralised and resilient, and less hierarchical than the institutions they inherited from an era when goods and information travelled no faster than a horse.

In my estimation, this is a masterwork: the first compelling utopian/dystopian (depending on how you look at it, which is part of its genius) novel of the Internet era. It is as good, in its own way, as Looking Backward, Brave New World, or 1984, and it is a much more thrilling read than any of them. Like those classics, Suarez gets enough of the details right that you find yourself beginning to think that things might actually turn out something like this, and what kind of a world it would be to live in were that to happen.

Ray Kurzweil argues that The Singularity Is Near. In this novel, the author gets the reader to wonder whether it might not be a lot closer than Kurzweil envisions, and not require the kind of exponential increase in computing power he assumes to be the prerequisite. Might the singularity—a phase transition in the organisation of human society as profound as the discovery of agriculture—actually be about to happen in the next few years, not brought about by superhuman artificial intelligence but rather the synthesis of and interconnection of billions of human intelligences connected by a “social network” encompassing all of society? (And if you think sudden transitions like that can't happen, just ask anybody who used to own a record store or the boss of a major newspaper.) Would this be a utopian solution to a system increasingly perceived as unsustainable and inexorably crushing individuality and creativity, or would it be a descent into a potentially irreversible dark age in which humans would end up as peripherals in a vast computing grid using them to accomplish its own incomprehensible agenda? You'll probably close this book undecided on that question, and spend a good deal of time afterward pondering it. That is what makes this novel so great.

If the author can continue to rise to this standard in subsequent novels, we have a new grandmaster on the scene.

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