Sinclair, Upton. The Jungle. Tucson, AZ: See Sharp Press, [1905] 2003. ISBN 1-884365-30-2.
A century ago, in 1905, the socialist weekly The Appeal to Reason began to run Upton Sinclair's novel The Jungle in serial form. The editors of the paper had commissioned the work, giving the author $500 to investigate the Chicago meat packing industry and conditions of its immigrant workers. After lengthy negotiations, Macmillan rejected the novel, and Sinclair took the book to Doubleday, which published it in 1906. The book became an immediate bestseller, has remained in print ever since, spurred the passage of the federal Pure Food and Drug Act in the very year of its publication, and launched Sinclair's career as the foremost American muckraker. The book edition published in 1906 was cut substantially from the original serial in The Appeal to Reason, which remained out of print until 1988 and the 2003 publication of this slightly different version based upon a subsequent serialisation in another socialist periodical.

Five chapters and about one third of the text of the original edition presented here were cut in the 1906 Doubleday version, which is considered the canonical text. This volume contains an introduction written by a professor of American Literature at that august institution of higher learning, the Pittsburg State University of Pittsburg, Kansas, which inarticulately thrashes about trying to gin up a conspiracy theory behind the elisions and changes in the book edition. The only problem with this theory is, as is so often the case with postmodern analyses by Literature professors (even those who are not “anti-corporate, feminist” novelists), the facts. It's hard to make a case for “censorship”, when the changes to the text were made by the author himself, who insisted over the rest of his long and hugely successful career that the changes were not significant to the message of the book. Given that The Appeal to Reason, which had funded the project, stopped running the novel two thirds of the way through due to reader complaints demanding news instead of fiction, one could argue persuasively that cutting one third was responding to reader feedback from an audience highly receptive to the subject matter. Besides, what does it mean to “censor” a work of fiction, anyway?

One often encounters mentions of The Jungle which suggest those making them aren't aware it's a novel as opposed to factual reportage, which probably indicates the writer hasn't read the book, or only encountered excerpts years ago in some college course. While there's no doubt the horrors Sinclair describes are genuine, he uses the story of the protagonist, Jurgis Rudkos, as a Pilgrim's Progress to illustrate them, often with implausible coincidences and other story devices to tell the tale. Chapters 32 through the conclusion are rather jarring. What was up until that point a gritty tale of life on the streets and in the stockyards of Chicago suddenly mutates into a thinly disguised socialist polemic written in highfalutin English which would almost certainly go right past an uneducated immigrant just a few years off the boat; it reminded me of nothing so much as John Galt's speech near the end of Atlas Shrugged. It does, however, provide insight into the utopian socialism of the early 1900s which, notwithstanding many present-day treatments, was directed as much against government corruption as the depredations of big business.

April 2005 Permalink