Books by Mills, Kyle

Mills, Kyle. Enemy of the State. New York: Atria Books, 2017. ISBN 978-1-4767-8351-2.
This is the third novel in the Mitch Rapp saga written by Kyle Mills, who took over the franchise after the death of Vince Flynn, its creator. It is the sixteenth novel in the Mitch Rapp series (Flynn's first novel, Term Limits [November 2009], is set in the same world and shares characters with the Mitch Rapp series, but Rapp does not appear in it, so it isn't considered a Rapp novel), Mills continues to develop the Rapp story in new directions, while maintaining the action-packed and detail-rich style which made the series so successful.

When a covert operation tracking the flow of funds to ISIS discovers that a (minor) member of the Saudi royal family is acting as a bagman, the secret deal between the U.S. and Saudi Arabia struck in the days after the 2001 terrorist attacks on the U.S.—the U.S. would hide the ample evidence of Saudi involvement in the plot in return for the Saudis dealing with terrorists and funders of terrorism within the Kingdom—is called into question. The president of the U.S., who might be described in modern jargon as “having an anger management problem” decides the time has come to get to the bottom of what the Saudis are up to: is it a few rogue ne'er-do-wells, or is the leadership up to their old tricks of funding and promoting radical Islamic infiltration and terrorism in the West? And if they are, he wants to make them hurt, so they don't even think about trying it again.

When it comes to putting the hurt on miscreants, the president's go-to-guy is Mitch Rapp, the CIA's barely controlled loose cannon, who has a way of getting the job done even if his superiors don't know, and don't want to know, the details. When the president calls Rapp into his office and says, “I think you need to have a talk … and at the end of that talk I think he needs to be dead” there is little doubt about what will happen after Rapp walks out of the office.

But there is a problem. Saudi Arabia is, nominally at least, an important U.S ally. It keeps the oil flowing and prices down, not only benefitting the world economy, but putting a lid on the revenue of troublemakers such as Russia and Iran. Saudi Arabia is a major customer of U.S. foreign military sales. Saudi Arabia is also a principal target of Islamic revolutionaries, and however bad it is today, one doesn't want to contemplate a post-Saudi regime raising the black flag of ISIS, crying havoc, and letting slip the goats of war. Wet work involving the royal family must not just be deniable but totally firewalled from any involvement by the U.S. government. In accepting the mission Rapp understands that if things blow up, he will not only be on his own but in all likelihood have the U.S. government actively hunting him down.

Rapp hands in his resignation to the CIA, ending a relationship which has existed over all of the previous novels. He meets with his regular mission team and informs them he “need[s] to go somewhere you … can't follow”: involving them would create too many visible ties back to the CIA. If he's going to go rogue, he decides he must truly do so, and sets off assembling a rogues' gallery, composed mostly of former adversaries we've met in previous books. When he recruits his friend Claudia, who previously managed logistics for an assassin Rapp confronted in the past, she says, “So, a criminal enterprise. And only one of the people at this table knows how to be a criminal.”

Assembling this band of dodgy, dangerous, and devious characters at the headquarters of an arms dealer in that paradise which is Juba, South Sudan, Rapp plots an operation to penetrate the security surrounding the Saudi princeling and find out how high the Saudi involvement in funding ISIS goes. What they learn is disturbing in the extreme.

After an operation gone pear-shaped, and with the CIA, FBI, Saudis, and Sudanese factions all chasing him, Rapp and his misfit mob have to improvise and figure out how to break the link between the Saudis and ISIS in way which will allow him to deny everything and get back to whatever is left of his life.

This is a thriller which is full of action, suspense, and characters fans of the series will have met before acting in ways which may be surprising. After a shaky outing in the previous installment, Order to Kill (December 2017), Kyle Mills has regained his stride and, while preserving the essentials of Mitch Rapp, is breaking new ground. It will be interesting to see if the next novel, Red War, expected in September 2018, continues to involve any of the new team. While you can read this as a stand-alone thriller, you'll enjoy it more if you've read the earlier books in which the members of Rapp's team were principal characters.

June 2018 Permalink

Mills, Kyle. Order to Kill. New York: Pocket Books, 2016. ISBN 978-1-4767-8349-9.
This is the second novel in the Mitch Rapp saga written by Kyle Mills, who took over the franchise after the death of Vince Flynn, its creator. In the first novel by Mills, The Survivor (July 2017), he picked up the story of the last Vince Flynn installment, The Last Man (February 2013), right where it left off and seemed to effortlessly assume the voice of Vince Flynn and his sense for the character of Mitch Rapp. This was a most promising beginning, which augured well for further Mitch Rapp adventures.

In this, the fifteenth novel in the Mitch Rapp series (Flynn's first novel, Term Limits [November 2009], is set in the same world and shares characters with the Mitch Rapp series, but Rapp does not appear in it, so it isn't considered a Rapp novel), Mills steps out of the shadow of Vince Flynn's legacy and takes Rapp and the story line into new territory. The result is…mixed.

In keeping with current events and the adversary du jour, the troublemakers this time are the Russkies, with President Maxim Vladimirovich Krupin at the top of the tottering pyramid. And tottering it is, as the fall in oil prices has undermined Russia's resource-based economy and destabilised the enterprises run by the oligarchs who keep him in power. He may be on top, but he is as much a tool of those in the shadows as master of his nation.

But perhaps there is a grand coup, or one might even say in the new, nominally pious Russia, a Hail Mary pass, which might simultaneously rescue the Russian economy and restore Russia to its rightful place on the world stage.

The problem is those pesky Saudis. Sitting atop a large fraction of the Earth's oil, they can turn the valve on and off and set the price per barrel wherever they wish and, recently, have chosen to push the price down to simultaneously appease their customers in Europe and Asia, but also to drive the competition from hydraulic fracturing (which has a higher cost of production than simply pumping oil out from beneath the desert) out of the market. Suppose the Saudis could be taken out? But Russia could never do it directly. There would need to be a cut-out, and perfect deniability.

Well, the Islamic State (IS, or ISIS, or ISIL, or whatever they're calling this week in the Court Language of the Legacy Empire) is sworn to extend its Caliphate to the holiest places of Islam and depose the illegitimate usurpers who rule them, so what better puppet to take down the Saudi petro-hegemony? Mitch Rapp finds himself in the middle of this conspiracy, opting to endure grave physical injury to insinuate himself into its midst.

But it's the nature of the plot where everything falls apart, in one of those details which Vince Flynn and his brain trust would never have flubbed. This isn't a quibble, but a torpedo below the water line. We must, perforce, step behind the curtain.

Spoiler warning: Plot and/or ending details follow.  
You clicked the Spoiler link, right? Now I'm going to spoil the whole thing so if you clicked it by accident, please close this box and imagine you never saw what follows.

The central plot of this novel is obtaining plutonium from Pakistani nuclear weapons and delivering it to ISIS, not to build a fission weapon but rather a “dirty bomb” which uses conventional explosives to disperse radioactive material to contaminate an area and deny it to the enemy.

But a terrorist who had done no more research than reading Wikipedia would know that plutonium is utterly useless as a radiological contaminant for a dirty bomb. The isotope of plutonium used in nuclear weapons has a half-life of around 24,000 years, and hence has such a low level of radioactivity that dispersing the amount used in the pits of several bombs would only marginally increase the background radiation in the oil fields. In other words, it would have no effect whatsoever.

If you want to make a dirty bomb, the easiest way is to use spent fuel rods from civil nuclear power stations. These are far easier to obtain (although difficult to handle safely), and rich in highly-radioactive nuclides which can effectively contaminate an area into which they are dispersed. But this blows away the entire plot and most of the novel.

Vince Flynn would never, and never did, make such a blunder. I urge Kyle Mills to reconnect with Mr Flynn's brain trust and run his plots past them, or develop an equivalent deep well of expertise to make sure things fundamentally make sense.

Spoilers end here.  

All right, we're back from the spoilers. Whether you've read them or not, this is a well-crafted thriller which works as such as long as you don't trip over the central absurdity in the plot. Rapp not only suffers grievous injury, but encounters an adversary who is not only his equal but better. He confronts his age, and its limitations. It happens to us all.

The gaping plot hole could have been easily fixed—not in the final manuscript but in the outline. Let's hope that future Mitch Rapp adventures will be subjected to the editorial scrutiny which makes them not just page-turners but ones where, as you're turning the pages, you don't laugh out loud at easily-avoided blunders.

December 2017 Permalink

Mills, Kyle. The Survivor. New York: Pocket Books, 2015. ISBN 978-1-4767-8346-8.
Over the last fifteen years, CIA counter-terrorism operative Mitch Rapp (warning—the article at this link contains minor spoilers) has survived myriad adventures and attempts to take him out by terrorists, hostile governments, subversive forces within his own agency, and ambitious and unscrupulous Washington politicians looking to nail his scalp to their luxuriously appointed office walls, chronicled in the thirteen thrillers by his creator, Vince Flynn. Now, Rapp must confront one of the most formidable challenges any fictional character can face—outliving the author who invented him. With the death of Vince Flynn in 2013 from cancer, the future of the Mitch Rapp series was uncertain. Subsequently, Flynn's publisher announced that veteran thriller writer Kyle Mills, with fourteen novels already published, would be continuing the Mitch Rapp franchise. This is the first novel in the series by Mills. Although the cover has Flynn's name in much larger type than Mills', the latter is the sole author.

In this installment of the Rapp saga, Mills opted to dive right in just days after the events in the conclusion of the previous novel, The Last Man (February 2013). The CIA is still reeling from its genius black operations mastermind, Joseph Rickman, having gone rogue, faked his own kidnapping, and threatened to reveal decades of the CIA's secrets, including deep cover agents in place around the world and operations in progress, potentially crippling the CIA and opening up enough cans of worms to sustain the congressional committee surrender-poultry for a decade. With the immediate Rickman problem dealt with in the previous novel, the CIA is dismayed to learn that the ever-clever Rickman is himself a survivor, and continues to wreak his havoc on the agency from beyond the grave, using an almost impenetrable maze of digital and human cut-outs devised by his wily mind.

Not only is the CIA at risk of embarrassment and exposure of its most valuable covert assets, an ambitious spymaster in Pakistan sees the Rickman intelligence trove as not only a way to destroy the CIA's influence in his country and around the world, but the means to co-opt its network for his own ends, providing his path to slither to the top of the seething snake-mountain which is Pakistani politics, and, with control over his country's nuclear arsenal and the CIA's covert resources, become a player on the regional, if not world scale.

Following Rickman's twisty cyber trail as additional disclosure bombshells drop on the CIA, Rapp and his ailing but still prickly mentor Stan Hurley must make an uneasy but unavoidable alliance with Louis Gould, the murderer of Rapp's wife and unborn child, who almost killed him in the previous novel, in order to penetrate the armed Swiss compound (which has me green with envy and scribbling notes) of Leo Obrecht, rogue private banker implicated in the Rickman operation and its Pakistani connections.

The action takes Rapp and his team to a remote location in Russia, and finally to a diplomatic banquet in Islamabad where Rapp reminds an American politician which fork to use, and how.

Mitch Rapp has survived. I haven't read any of Kyle Mills' other work, so I don't know whether it's a matter of his already aligning with Vince Flynn's style or, as a professional author, adopting it along with Flynn's worldview, but had I not known this was the work of a different author, I'd never have guessed. I enjoyed this story and look forward to further Mitch Rapp adventures by Kyle Mills.

July 2017 Permalink